More on “secular music” in church.

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Since I wrote a post back in June on using secular music in worship, I’ve read several more accounts of churches using radio hits and classic oldies as “openers” to their worship services, and I’ve seen folks asking questions about this whole thing on Twitter. It seems like a new enough trend in churches that we’re kind of just catching on that it’s happening. But it’s happening a lot.

Of all the goofy trends that cycle through Evangelical worship, this one gets a foot in the gray area a little more, and is a little easier to justify, I think, as a well-meaning strategy to connect with the unchurched. But again, however well-meaning, is it still a good decision? I did address the trend in more detail in that previous post, so here I just wanted to add a few clarifications.

  1. Secular music (and art in general) is not all evil. Sometimes folks jump to the conclusion when I mention using secular music in church is a bad idea, that I’m just not a fan of secular music as a whole. But this isn’t the case. To be honest, I probably listen to more “secular” music than “Christian,” once we factor in all the instrumental and classical stuff I’ll play throughout a given week. I love The Beatles and Radiohead, Chris Thile and Tom Petty, Bach and Debussy, and Switchfoot. And all, I think, with a good conscience.* But the point goes beyond any of us admitting what music we personally appreciate. Every single person, and therefore every artist, is still created in the image of God. So you’ll see fractured glimpses of truth, goodness, and beauty breaking through art created by unbelievers. Mozart was sort of a terrible person; but the beauty of his music is mostly unparallelled. And on the flip side, some art made by Christians is just kind of bad on its own merits, as I’m sure many of us will agree. Skill and competency, and operating in-touch with beauty does not necessarily correspond to one’s presence or maturity of faith.** Though sometimes it might. All this is to say, the question of whether secular music in church is helpful is NOT a question of whether secular music is BAD.
  2. The church makes unique demands of its gathered worship. Here’s where the rubber meets the road. The question again isn’t whether we find glimpses of God in secular art, that redeem its use in church. The question is, what does the church actually need; or rather, what does God want for His church? I think, ultimately, the inclusion of secular songs in church worship just stems from confusion over what the church of Jesus Christ is, and what Scripture says it should do when it gathers. The New Testament is actually pretty clear and specific about this, and avoidance of Scripture’s guidance will lead one to the “If it’s done for Jesus, and if it reaches people for Him then it’s fine!” mindset. But I’ll argue that it’s not all fine, or helpful. Read Hebrews 10:19-25, Ephesians 5:15-21, and Colossians 3:15-17 for three clear passages instructing what Christians should do when they meet. And secular music, used for whatever reasons, just doesn’t seem to fit with the important stuff: confessing the Gospel, and letting the Word of Christ dwell in us richly. The church’s days on this earth, as an outpost of Heaven, are numbered. And there’s so much Gospel treasure to give our people, in song, prayer, and preaching, let’s not settle for, or waste time in our gatherings with gimmickry, or just doing what we think might be fun. There are a lot of foolish ways to kinda’ sorta’ do what the New Testament tells churches to do. But the better ways are clear.
  3. Do people really want this stuff? I’ve become convinced that we Christians often get together and decide what unbelievers want to see and hear when they visit church…but it’s not really what they want. We also do this with youth, or singles, or married couples, or Millennials…one group deciding in sort of a vacuum what another group wants or needs. As I’ve talked to folks visiting our church the past couple of years, I’ve repeatedly heard a similar refrain – something like, “We’ve visited a few churches lately, and some were trying to do a rock concert, or copy songs we hear on the radio, or stuff we see on TV, and it just didn’t seem enough like church for us.” They were actually looking for a church experience – an engagement with God in a community of believers, through the teaching of God’s Word, singing sacred songs, without frills or gimmicks or spectacle. And the truly unchurched, at this cultural moment, haven’t had enough experience with traditional church to be tired of it. There’s value in a church discovering the core of what it’s supposed to be, and returning to it again and again.

Some people will get a kick out of hearing a Bon Jovi tune in worship, for sure. And we’ll always have some folks that wish we’d do something more exciting or outside-the-box to make our churches more impactful. But what finally needs to win us over is the confidence that God’s Word is infinitely exciting, and alive, and powerful – able to raise dead hearts to eternal life and joy in our good King. I want to read this Word, and hear it preached, and sing the truths in it every week until the King appears. Let this form our philosophy of corporate worship.

 

* The article “The Man and His Song” published at Desiring God by David Mathis, is a great recent example of a mature Christian, appreciating and paying tribute to an artist who by outward evidence was not a believer, but made beautiful stuff.

** The point is worth making again, that any work of art can cross a threshold where there’s more evil in it than good, and which may not be helpful for a Christian, or anyone, to look at or to listen. There are definitely certain songwriters who will probably only bring darkness into your imagination when you listen, and should be avoided. But for most cases this will still need to be a matter of believers’ individual consciences.

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