“He is a very great man.”

The Hobbit is merely the adaptation to children of part of a huge private mythology of a most serious kind: the whole cosmic struggle as he sees it but mediated through an imaginary world. The Hobbit’s successor [The Lord of the Rings], which will soon be finished, will reveal this more clearly. Private worlds have hitherto been mainly the work of decadents or, at least, mere aesthetes. This is the private world of a Christian. He is a very great man. His published works (both imaginative & scholarly) ought to fill a shelf by now: but he’s one of those people who is never satisfied with a [manuscript]. The mere suggestion of publication provokes the reply ‘Yes, I’ll just look through it and give it a few finishing touches’ – wh. means that he really begins the whole thing over again.”

C.S. Lewis, in a letter to Charles A. Brady, October 29 1944.

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On The Reformers

MartinLuther-2400pxI’m not a big Reformation nerd or anything; I don’t have a “Happy Reformation Day” t shirt, I’ve never dressed up as Martin Luther, and I haven’t read The Institutes. I’m like…the king of reading selections.

But I’ve read enough to be acquainted with these guys, and with what they did. For me, initially discovering and reading the Reformers came at a time when I really needed someone to speak to what they spoke to. So really, my love for the Reformers is largely an autobiographical thing, and I wanted to just pay a small tribute to how much they have helped and encouraged me. And whenever I recommend reading this stuff, it’s with a hope for this to happen to others.

I first started reading Luther and Calvin in about 2003, because I had started to wrestle with some deeper theological questions: the problem of evil, God’s sovereignty VS man’s will (and how “free” our will is), how does someone actually get saved from their sin…a lot of the typical toughies. And I was on a trajectory at the beginning of all this, toward a rejection of anything Reformed in nature, and to an embrace of an Arminian soteriology.

I had a good friend at the time, a newer believer, who had been wrestling with the same questions, and had been directed by someone else to read Luther, Calvin, Edwards, and some others (Van Til, Bahnsen…some of the newer guys too) right away. We worked together too at the time, and he started coming in, asking things like, “Have you read Luther?? He talks about this…” and he’d have a printout of the excerpt.*

So if it wasn’t for that friend, and if it wasn’t for the Reformers he brought in for us to read, I really don’t feel like I would’ve been able to answer those questions at that critical time. Luther, Calvin, and others came in at the clutch moment, with voices very much alive from five hundred years ago, to build on our faith. And they helped us see new depth in Scripture – that was the best thing. Truly, I think of Luther and Calvin and I think of what they point out in Scripture, not of what they themselves were all about.

And as I read these guys along with a freshly ignited study of Scripture in my college years, I loved the sense of theology happening  in the midst of, and as a necessary part of real life and real struggles. You read Luther’s Commentary on Galations or Calvin’s Institutes, and you have deep theological study that really, really matters to the lives of the writers. They have real stakes in the game. It’s not just heady scholasticism for them; they’re writing pastorally and with urgency, because their study of God and Scripture matter for everything. It’s life or death for them. And that helps me love studying God and Scripture too, because this study is always life or death.

Lastly, on an even more personal note. Luther and Calvin let me to read Knox, whose writing is aflame with Gospel-urgency and joy as much as the others. And these all brought me later to Spurgeon, who is probably the pastor/writer from the past who is most dear to me. We named our son Haddon, after Charles Haddon Spurgeon, which I hope stands as a testimony to the line of God’s good providence running through our family’s story. God has used these reformed writers to drive my wife and me to Scripture, and whom, in spite of prominent imperfections, edify in their example of adoring and trusting Christ. We talk about “always reforming,” or “semper Reformanda,” which, if done in a truly helpful way, simply means calling each other to return over and over again to the pure Gospel. The Reformers, read rightly, really only care about this.

But anyway, enough for now. Listen to Luther bringing us to Christ in his Galations commentary:

“On the question of justification we must remain adamant, or else we shall lose the truth of the Gospel. It is a matter of life and death. It involves the death of the Son of God, who died for the sins of the world. If we surrender faith in Christ, as the only thing that can justify us, the death and resurrection of Jesus are without meaning; that Christ is the Savior of the world would be a myth. God would be a liar, because He would not have fulfilled His promises. Our stubbornness is right, because we want to preserve the liberty which we have in Christ. Only by preserving our liberty shall we be able to retain the truth of the Gospel inviolate.

“Some will object that the Law is divine and holy. Let it be divine and holy. The Law has no right to tell me that I must be justified by it. The Law has the right to tell me that I should love God and my neighbor, that I should live in chastity, temperance, patience, etc. The Law has no right to tell me how I may be delivered from sin, death, and hell. It is the Gospel’s business to tell me that. I must listen to the Gospel. It tells me, not what I must do, but what Jesus Christ, the Son of God, has done for me.”

 

*I have to credit Monergism.com here, without which in 2003 my buddy and I wouldn’t have had a place to find so many grand works from the Reformers all collected in one place. There will be a special reward in Heaven, I think, for whoever started that website.

More on “secular music” in church.

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Since I wrote a post back in June on using secular music in worship, I’ve read several more accounts of churches using radio hits and classic oldies as “openers” to their worship services, and I’ve seen folks asking questions about this whole thing on Twitter. It seems like a new enough trend in churches that we’re kind of just catching on that it’s happening. But it’s happening a lot.

Of all the goofy trends that cycle through Evangelical worship, this one gets a foot in the gray area a little more, and is a little easier to justify, I think, as a well-meaning strategy to connect with the unchurched. But again, however well-meaning, is it still a good decision? I did address the trend in more detail in that previous post, so here I just wanted to add a few clarifications.

  1. Secular music (and art in general) is not all evil. Sometimes folks jump to the conclusion when I mention using secular music in church is a bad idea, that I’m just not a fan of secular music as a whole. But this isn’t the case. To be honest, I probably listen to more “secular” music than “Christian,” once we factor in all the instrumental and classical stuff I’ll play throughout a given week. I love The Beatles and Radiohead, Chris Thile and Tom Petty, Bach and Debussy, and Switchfoot. And all, I think, with a good conscience.* But the point goes beyond any of us admitting what music we personally appreciate. Every single person, and therefore every artist, is still created in the image of God. So you’ll see fractured glimpses of truth, goodness, and beauty breaking through art created by unbelievers. Mozart was sort of a terrible person; but the beauty of his music is mostly unparallelled. And on the flip side, some art made by Christians is just kind of bad on its own merits, as I’m sure many of us will agree. Skill and competency, and operating in-touch with beauty does not necessarily correspond to one’s presence or maturity of faith.** Though sometimes it might. All this is to say, the question of whether secular music in church is helpful is NOT a question of whether secular music is BAD.
  2. The church makes unique demands of its gathered worship. Here’s where the rubber meets the road. The question again isn’t whether we find glimpses of God in secular art, that redeem its use in church. The question is, what does the church actually need; or rather, what does God want for His church? I think, ultimately, the inclusion of secular songs in church worship just stems from confusion over what the church of Jesus Christ is, and what Scripture says it should do when it gathers. The New Testament is actually pretty clear and specific about this, and avoidance of Scripture’s guidance will lead one to the “If it’s done for Jesus, and if it reaches people for Him then it’s fine!” mindset. But I’ll argue that it’s not all fine, or helpful. Read Hebrews 10:19-25, Ephesians 5:15-21, and Colossians 3:15-17 for three clear passages instructing what Christians should do when they meet. And secular music, used for whatever reasons, just doesn’t seem to fit with the important stuff: confessing the Gospel, and letting the Word of Christ dwell in us richly. The church’s days on this earth, as an outpost of Heaven, are numbered. And there’s so much Gospel treasure to give our people, in song, prayer, and preaching, let’s not settle for, or waste time in our gatherings with gimmickry, or just doing what we think might be fun. There are a lot of foolish ways to kinda’ sorta’ do what the New Testament tells churches to do. But the better ways are clear.
  3. Do people really want this stuff? I’ve become convinced that we Christians often get together and decide what unbelievers want to see and hear when they visit church…but it’s not really what they want. We also do this with youth, or singles, or married couples, or Millennials…one group deciding in sort of a vacuum what another group wants or needs. As I’ve talked to folks visiting our church the past couple of years, I’ve repeatedly heard a similar refrain – something like, “We’ve visited a few churches lately, and some were trying to do a rock concert, or copy songs we hear on the radio, or stuff we see on TV, and it just didn’t seem enough like church for us.” They were actually looking for a church experience – an engagement with God in a community of believers, through the teaching of God’s Word, singing sacred songs, without frills or gimmicks or spectacle. And the truly unchurched, at this cultural moment, haven’t had enough experience with traditional church to be tired of it. There’s value in a church discovering the core of what it’s supposed to be, and returning to it again and again.

Some people will get a kick out of hearing a Bon Jovi tune in worship, for sure. And we’ll always have some folks that wish we’d do something more exciting or outside-the-box to make our churches more impactful. But what finally needs to win us over is the confidence that God’s Word is infinitely exciting, and alive, and powerful – able to raise dead hearts to eternal life and joy in our good King. I want to read this Word, and hear it preached, and sing the truths in it every week until the King appears. Let this form our philosophy of corporate worship.

 

* The article “The Man and His Song” published at Desiring God by David Mathis, is a great recent example of a mature Christian, appreciating and paying tribute to an artist who by outward evidence was not a believer, but made beautiful stuff.

** The point is worth making again, that any work of art can cross a threshold where there’s more evil in it than good, and which may not be helpful for a Christian, or anyone, to look at or to listen. There are definitely certain songwriters who will probably only bring darkness into your imagination when you listen, and should be avoided. But for most cases this will still need to be a matter of believers’ individual consciences.

“Secular” Music in Worship

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I want to get a few thoughts up here about using secular songs in church worship. I’ve had some opinions about this for quite a while, but lately as I’ve seen more churches revisit this trend, I’ve been revisiting my stance on the whole thing.

There’s definitely some pressure to consider including secular music in a purposeful way, especially as some high-production, “popular” churches are including recent pop songs, or playing “oldies but goodies” in themed worship services (maybe you’ve seen examples of this at North Point Community Church in GA, who have done a “Beatles Sunday” and some 90s themed weeks of music where their worship band has covered *NSYNC and other 90s pop stuff). First, to be fair, I don’t think any one of the churches I’ve seen doing this chooses a whole set of secular music; they’ll have one or two songs with a transition into two or three worship tunes. But I’ve been seeing this happen more and more in quite a few churches, and I’ve really been trying to figure out what motivations are behind this trend that recurs every five to ten years. I’m not totally sure since I can’t find many pastors, worship leaders, or churches saying much in writing about why they’re choosing to include secular popular music in their worship setlists. So my goal here is not to judge motivations, per se, since I do think some of the folks making this decision are well-meaning in their desire to use music to reach out, and build community and engagement. And obviously, I can’t see their heart either way. If you’d like to check my opinions with someone else’s, read this critique from piratechristian.com which, though it may seem harsh, is intensely biblical and, I think, justified in its evaluation. In-fact, I’d highly recommend that post as well, as it exposes the connection to wider trends of silliness in the Bible-believing church.

But what I’d like to do here, as a worship leader and pastor, is address the decision of whether or not to include secular music in our worship gatherings, which I think can be done totally independent of a critique of anyone’s motives. The plain question is, should we do it?

And my short answer is, emphatically, no we shouldn’t. Now here are a few key reasons why I say this.

  1. The commands of Scripture are limiting, in a good way. Study what your Bible says about music, and its role in the church, and you’ll find some specific commands and exhortations that keep us, if obeyed, from singing secular music in church. The Old Testament is key, especially the composition of the Psalms, as we see content and form really married together. And actually, God has given us the words to the Psalms, and not the sheet music; so really, content plays the greater role. Everything related to the worship of Israel in the OT, including worship at the temple, is taken very seriously, and is all explicitly done for God, and speaks of Him. I can’t imagine the Levite priests including a Justin Timberlake tune as part the worship at the Temple (though I really do like JT’s stuff). This isn’t just because the style obviously wouldn’t translate in any way to ancient Israel, but because the content, or really the whole package, taken together, would be an affront to the purpose of worship. Jump ahead to the church age, and read the commands for us today in the New Testament, telling us to “let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God” (Colossians 3:16). My question here is, how can singing as a congregation, or listening to the worship band perform a pop song from secular radio, help the word of Christ live in our hearts and minds? Even if the song connects to the theme of a message or preaching series, we have to ask ourselves as we plan worship, does this song teach and admonish and encourage a Christian to know and walk with Christ? Does it build Godward thankfulness into our hearts as we sing or hear it? Maybe…depending on the song choice. Which leads me to the next point.
  2. We only have so much time in a worship gathering. On average, a worship leader gets the majority of their church people once a week in a corporate worship setting. And that’s probably an hour, to an hour and a half, with around thirty minutes of music. Many churches that provide more than two services work with even less time, and will have an average of three to four songs per service. Working with that short amount of time, I ask you, worship leader, would choosing to play “Can’t Stop the Feeling” make the wisest use of that time? Maybe you have some real thoughtful reasons behind playing a secular song. But are you maximizing your opportunity to do what Scripture says is most helpful to the souls gathered in your church, to play a song they could have heard twice on the radio on the drive there? Is that song helping the word of Christ dwell in the hearts of your people – you included – as well as a song written for this purpose? There has been such a resurgence in the past few years of skillfully-written, doctrinally rich worship music, I really believe there’s no excuse for not packing your worship setlist with as much Gospel treasure as possible, to send your people into their week fully armed and encouraged with the glories of Christ. Don’t waste time in your worship gatherings.
  3. The church should, purposefully, offer its people something different. In our culture, our church folks are bombarded by messages, arguments, and temptations from a fallen world. Especially with our widespread pseudo-community spread across social media, communication is lightning-fast, and often counter to the message of the Gospel. I hear the argument often that, since our people see live music produced on stage at concerts, and on shows like The Voice, we should attempt it in church because it’s what people like and want. But I don’t buy that. I think we should be skillful at always communicating and presenting the Gospel as attractively as possible, and adorn this beautiful message as beautifully as we can; but this does not equal providing what people see and hear in the rest of the culture. In-fact, I would argue that since culture bombards us the way it does with so much content, it’s best for all of our hearts if the church is different, both in the kind of content speaks into our lives, but also often in how it’s presented. If our people watch The Voice every week, with all of its audio production and pro lighting, it may be best to purposefully provide a little less in worship, to allow for contemplation of what we’re singing. If people are hearing hedonistic song lyrics about sexual revolution on the radio and on their Spotify playlists six days a week, is it really helpful to choose one more song from that catalogue for our worship gathering? Again, I ask, is picking music like this really helpful? Or as helpful as it could be? Some people…a lot of people…might like it. But are they really being built up in the faith, and given weight and substance to keep them treasuring Christ until the next Sunday, and to help them through their next trial?

As ministers of the Gospel, and of the word of Christ, let’s be purposeful, and really help our people. Give them real Gospel glory every week. Let’s not miss the brief chance we have each week to really provide life to our gathered church.

Songwriting, curating, collecting…

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I’ve tried my best to accurately transcribe the following quote from an episode of the new For The Church podcast. There’s some really good inspiration here for church songwriters. You should definitely go and listen to the whole episode and others here.

In this episode, Jared Wilson asks Matt Boswell, “What is your personal songwriting process like, whether with a collaborator or by yourself?” Here’s a chunk of Matt’s answer:

“My process of writing songs is, I’m a curator and a collector first. So in every theological book that I’m reading, I’m collecting words…just specific words. I remember reading Jim Hamilton’s biblical theology, God’s Glory in Salvation Through Judgement, and in it he just uses the word “unassailable” six, seven times; and so I just thought that was a beautiful word to write in a hymn. So I just kind of put it in my back pocket, and then when it seems appropriate, throw it in a hymn. And so in all reading I’m collecting words.

“And then, even through sermon outlines, seeing how a preacher is moving systematically through a text or through a subject, and allowing some of those things to help shape how I would write a hymn in response to that. 

“And so I’m always on the lookout for what would be good kindling for a hymn to be written.”

Again, the above quote is from Matt Boswell, in an interview on the For The Church podcast. Subscribe to this one for sure. It’s new, and already super helpful. You can also check out more resources from Matt Boswell and pick up books he has contributed to, at his website Doxology and Theology. If you’re a worship leader or worship musician, you should check there often.

What only Jesus can do.

faithmapping“We treat our worship leaders as priests, expecting them to lead us into God’s presence in a way that is inaccessible apart from their charisma, emotion, and music. Every time we credit a worship leader with ‘leading us into God’s presence,’ we are anointing them as priests, and crediting them with doing something that only Jesus can do.” (emphasis added)

Daniel Montgomery and Mike Cosper, from their book Faithmapping (highly recommended book on the church!)

Neil Postman, prophet.

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“At different times in our history, different cities have been the focal point of a radiating American spirit. In the late eighteenth century, for example, Boston was the center of a political radicalism that ignited a shot heard round the world – a shot that could not have been fired any other place but the suburbs of Boston. At its report, all Americans, including Virginians, became Bostonians at heart. In the mid-nineteenth century, New York became the symbol of the idea of a melting-pot America – or at least a non-English one – as the wretched refuse from all over the world disembarked at Ellis Island and spread over the land their strange languages and even stranger ways. In the early twentieth century, Chicago, the city of big shoulders and heavy winds, came to symbolize the industrial energy and dynamism of America. If there is a statue of a hog butcher somewhere in Chicago, then it stands as a reminder of the time when America was railroads, cattle, steel mills and entrepreneurial adventures. If there is no such statue, there ought to be, just as there is a statue of a Minute Man to recall the Age of Boston, as the Statue of Liberty recalls the Age of New York.

Today, we must look to the city of Las Vegas, Nevada, as a metaphor of our national character and aspiration, its symbol a thirty-foot-high cardboard picture of a slot machine and a chorus girl. For Las Vegas is a city entirely devoted to the idea of entertainment, and as such proclaims the spirit of a culture in which all public discourse increasingly takes the form of entertainment. Our politics, religion, news, athletics, education and commerce have been transformed into congenial adjuncts of show business, largely without protest or even much popular notice. The result is that we are a people on the verge of amusing ourselves to death.”

From Amusing Ourselves to Deathby Neil Postman (written in 1985)